It would make sense that the process of editing and finalizing would be the most drawn out and pain-staking to a group of individuals (writers and other creatives) that are traditionally self-critical and border-line paranoid about how their work may be received.
Yet, despite this unfortunate reality, editing and proofing is not only the best way to make a work stand out, but also for an author to transcend from amateur to professional. Many literary powerhouses have passed on their wisdom about the editing process and regardless of what they say or how they say it, the end result is generally the same:
Writing down your ideas is only the beginning!
or the ever-popular euphemism,
Real writing begins AFTER the first draft is complete.
For me, the thought of editing is no different. I feel the urge to tell another story the second I wrap up the one that I am working on. But, how fair would that be to the characters that inhabit the pages, the meters within the stanzas, or the themes shrouded beneath the webs of prose that we, as writers labor so hard to create?
Not at all.
Editing takes determination and patience, but the resulting drafts are far more rewarding than half-finished or open-ended manuscripts that are not just unsuitable for the market place, but questionable for even sharing with a friend or family member!
As some of my more regular readers probably know, I have just completed a close-to-final edit on my upcoming full length novel, The Legend of Thunderbird, Coyote, and Joey Gordon. The time spent in editing that beast could have allowed me to create a couple of smaller sized works from concept to print (or kindle), but like the ideas outlined above:
The end product was totally worth it!
To effectively end this post, I would like to leave you with a couple of my favorite editing quotes:
“Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.”
“I believe more in the scissors than I do in the pencil.”