For those of you that read my last blog post: “Which do you feed, the Id or the masses?”, may have thought that there was some specific reason that I posted on the topic. Those readers would be correct. While writing my first screenplay, Red Reaper, Burn, I was constantly questioning if the subject matter was relevant to the film market at that moment in time. For that project, I found that the story was in fact more relevant to the current market near its completion than it was during early development. I didn’t expect this, in fact I knew that I HAD to write that screenplay because the story was just too powerful to pass up. The second time I found myself a slave to the muse turned out to be a very different ride altogether.

My second feature length screenplay was a complete labor of love. The excitement I felt while prepping for this project was greatly due to the fact that I had come up with the basic premise of the story years before and after the successful completion of Red Reaper, Burn, I felt that I finally had the ability to tell this story that had been building in my subconscious for nearly a decade. It is a very empowering feeling to know that you have a unique and dynamic story idea that is all fleshed out and that you possess the tools to tell it.

The screenplay took me about half the time to complete because, as I said before, it was mostly mapped out in my head. It is also the only project that I have ever written that retained its working title after completion; Ice Box was more of a brain child than a writing project and like some human children, the story started growing in ways that I hadn’t anticipated. I had originally envisioned the story as a psychological horror that took place mostly in the California Desert, a place that I spent many of my youthful years. After a couple of drafts, I was satisfied with the sense of foreboding I had created in the familiar landscape of my childhood, but as the story unfolded something unexpected happened: two of my characters fell in love.

I knew that it would take some work to make this unexpected love story ‘POP’, but I did not want to take away from the insane content of the story (which is discussed below). It worked out well in this case, as the characters were so clearly defined that their dialogue and actions became oftentimes apparent and sometimes even instantaneous.

The story ended up being a total Id project for me! It may not ever win an Academy Award, but it is a fun read that would make a fantastic movie.

Using the traditional formula for an elevator pitch I would say:

The bizarre love depicted in “True Romance” and the hyper-real violence of “Pulp Fiction” meets the paranormal suspense and mystery of “The Sixth Sense”.

Below I have included my original logline and teaser intro for Ice Box.

Logline

Desperate to escape from terrifying glimpses of the spirit world, a self-medicating medical delivery driver finds himself caught in a murderous conspiracy when the girl he is transporting becomes the target of an ailing Yakuza crime boss.

Teaser Intro

THOMAS has been able to see the spirit world since receiving a life-saving organ transplant. As a young man with no family and no higher-education he gives back to the altruistic cause by delivering transplant organs and transporting sick patients. Due to his proximity to the dead and the dying, Thomas is forced to interact with spirits on a daily and seemingly endless basis. It was becoming too much to handle, until he found that drugs could keep the visions at bay. The downside is that the spirit of MIKEY, the young boy whose organ now resides inside of Thomas, is anchored to him and is becoming a dark and twisted reflection of Thomas’ drug addled body.

ARI is a high school senior who like all young people is desperate to find her own identity. This is very difficult, living with overbearing parents and surrounded by friends who try their best just to “fit in”. When Ari gets her driver’s license, she finds herself able to make her first serious choice as an individual: she decides to register as an organ donor. When her long-time friend convinces her to sneak out for a big weekend party her life changes forever, the car she is in is hit head-on by a truck, leaving her in a medically induced coma. The worst part is that she can see the pain on the faces of her family and friends as her detached spirit watches from the sidelines.

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